Silkscreen
Silkscreen, as we understand it, is not a method of reproduction.
It is a way of constructing an image.
Each edition is built step by step — through colour, sequence and material. The process is closer to painting than to copying. Every layer matters, and every decision affects the final image.
We begin with the preparation of the artwork. The image — whether digital or hand-drawn — is separated into individual colour layers. Each layer is carefully adjusted in density, transparency and interaction with the others.
From there, films are produced and printing screens are made. Each colour requires its own screen and its own pass through the press.
We print traditionally, by hand, in editions of up to 14 colours.
In parallel, we work with hybrid methods that extend the colour range up to 36 colours, allowing for subtle gradients, complex transitions and a wider tonal spectrum.
A key part of our approach is working with transparency. Using methods close to those associated with Mark Rothko, we build images through layers of semi-transparent inks. Printed one over another, these layers create depth and a sense of internal light within the image.
We print on a range of materials:
For us, silkscreen is not about producing multiples.
It is about building an image through process, colour and time.
Each print is an original.
It is a way of constructing an image.
Each edition is built step by step — through colour, sequence and material. The process is closer to painting than to copying. Every layer matters, and every decision affects the final image.
We begin with the preparation of the artwork. The image — whether digital or hand-drawn — is separated into individual colour layers. Each layer is carefully adjusted in density, transparency and interaction with the others.
From there, films are produced and printing screens are made. Each colour requires its own screen and its own pass through the press.
We print traditionally, by hand, in editions of up to 14 colours.
In parallel, we work with hybrid methods that extend the colour range up to 36 colours, allowing for subtle gradients, complex transitions and a wider tonal spectrum.
A key part of our approach is working with transparency. Using methods close to those associated with Mark Rothko, we build images through layers of semi-transparent inks. Printed one over another, these layers create depth and a sense of internal light within the image.
We print on a range of materials:
- fine art paper
- plastics
- polymer surfaces
- wood
For us, silkscreen is not about producing multiples.
It is about building an image through process, colour and time.
Each print is an original.
Each print is an original.